제63회 한국피아노두오협회 정기연주회

1. 구스타프 홀스트·, Gustav Holst

   1. 행성The PlanetsOp. 32
      1. I. Mars, the Bringer of War.
      2. II. Venus, the Bringer of Peace.
      3. III. Mercury, the Winged Messenger.
      4. IV. Jupiter, the Bringer of Jollity.
      5. V. Saturn, the Bringer of Old Age.
      6. VI. Uranus, the Magician.
      7. VII. Neptune, the Mystic.

2. 에런 코플런드·, Aaron Copland

   1. 로데오Rodeo
      1. I. Hoe-Down
   2. 엘 살롱 멕시코El Salón México

3. 요하네스 브람스·, Johannes Brahms

   1. 두 대의 피아노를 위한 소나타 바단조Sonata for Two Pianos in F minorOp. 34b
      1. I. Allegro non troppo
      2. IV. Finale. Poco sostenuto — Allegro non troppo

4. 로베르트 슈만·, Robert Schumann

   1. 안단테와 변주곡Andante und VariationenOp. 46

5. 벨러 바르토크·, Béla Bartók

   1. 미크로코스모스MikrokosmosSZ 107
      1. I. 6 unison melodies (1). 96 (C major, 8 bars)
      2. II. 6 unison melodies (2). 96 (C major, 16 bars)
      3. III. 6 unison melodies (3). 96 (D minor, 12 bars)
      4. IV. 6 unison melodies (4). 96 (C major, 8 bars)
      5. V. 6 unison melodies (5). 104 (A minor, 13 bars)
      6. VI. 6 unison melodies (6). 104 (G major, 9 bars)
      7. VII. Dotted notes. 112 (E phrygian, 14 bars)
      8. VIII. Repetition (1). 128 (E minor, 14 bars)
      9. IX. Syncopation (1). 96 (C major, 14 bars)
      10. X. With alternate hands. 108 (D modal, 24 bars)
      11. XI. Parallel motion. 140 (G mixolydian, 16 bars)
      12. XII. Reflection. 100 (D dorian, 18 bars)
      13. XIII. Change of position. 96 (C major, 16 bars)
      14. XIV. Question and answer. 104 (D dorian, 18 bars)
      15. XV. Village song. 124 (D major, 13 bars)
      16. XVI. Parallel motion with change of position. 104 (C major, 22 bars)
      17. XVII. Contrary motion (1). 96 (C major, 16 bars)
      18. XVIII. Four unison melodies (1). 120 (D dorian, 10 bars)
      19. XIX. Four unison melodies (2). 104 (C major, 13 bars)
      20. XX. Four unison melodies (3). 100 (G major, 16 bars)
      21. XXI. Four unison melodies (4). 130 (A minor, 16 bars)
      22. XXII. Imitation and counterpoint. 136 (D dorian, 16 bars)
      23. XXIII. Imitation and inversion (1). 96 (D dorian, 12 bars)
      24. XXIV. Pastorale. 120 (A major, 24 bars)
      25. XXV. Imitation and inversion (2). 150 (B phrygian, 46 bars)
      26. XXVI. Repetition (2). 128 (A mixolydian, 16 bars)
      27. XXVII. Syncopation (2). 96 (C major, 14 bars)
      28. XXVIII. Canon at the octave. 112 (E phrygian, 14 bars)
      29. XXIX. Imitation reflected. 112 (E modal, 14 bars)
      30. XXX. Canon at the lower fifth. Moderato (G mixolydian, 24 bars)
      31. XXXI. Dance in canon form. Allegro (D dorian, 16 bars)
      32. XXXII. In dorian mode. Lento (D dorian, 14 bars)
      33. XXXIII. Slow dance. Andante (D major, 15 bars)
      34. XXXIV. In phrygian mode. Calmo (E phrygian, 26 bars)
      35. XXXV. Chorale. Largamente (C major, 27 bars
      36. XXXVI. Free canon. Teneramente (A minor, 29 bars)
   2. 7개의 스케치7 SketchesSZ 44

6. M. Dring

   1. Three Fantastic Variations on Lilliburlero

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